Specifikacija |
- NAUTILUS System Version 1.0
- 88 key: RH3 (Real Weighted Hammer Action 3), A - C
73 key: Natural Touch Semi Weighted, C - C 61 key: Natural Touch Semi Weighted, C – C Velocity sensitive is supported, after touch is not supported.
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SGX-2: Premium Piano (Acoustic Piano) EP-1: MDS Electric Piano (Electric Piano) HD-1: High Definition Synthesizer (PCM) AL-1: Analog Synthesizer (Analog Modeling) CX-3: Tonewheel Organ (Tonewheel Organ Modeling) STR-1: Plucked String (Physical Modeling) MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis) MS-20EX: Component Modeling Technology (Analog Modeling) PolysixEX: Component Modeling Technology (CMT Analog Modeling)
- SGX-2: 100 voices*3
EP-1: 104 voices HD-1: 140 voices AL-1: 80 voices CX-3: 200 voices STR-1: 40 voices MOD-7: 52 voices MS-20EX: 40 voices PolysixEX: 180 voices
1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced. *2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine. *3: 100 dual-stereo notes (equivalent to 400 mono voices)
- RAM 496 MB / DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)
- EXs301: German2 D Piano
EXs302: Italian F Piano EXs303: Japanese Upright U Piano EXs304: Prepared Piano EXs305: Historical Keyboards EXs306: Vintage Keyboards 2 EXs307: Strings & Synths EXs308: Guitar Collection EXs309: Bass Collection EXs310: World Essence EXs311: Background Loops EXs312: SFX & Hits EXs313: Found Percussions EXs314: Expansion Drums
- Approx. 2GB *4
*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).
- 598 User memory, 377 Preload
Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
- Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
Damper resonance and mechanical noise are reproduced. Una Corda sample support
- EXs301 – German2 D Piano
12 velocity levels, includes Ambience Piano type/samples
EXs302 – Italian F Piano 12 velocity levels, no Una Corda samples
EXs303 – Japanese Upright U Piano 8 velocity levels
Exs304 – Prepared Piano 1-4 velocity levels
- 128
(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))
- Damper Resonance
Damper Noise Mechanical Noise Note Release String Resonance Una Corda
- Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
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Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
- Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
- Tine Type
Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)
Reed Type Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)
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Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
- Single: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc. Drums: One drum kit, Double Drums: Two drum kits.
- 8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences
- Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)
- Per voice non-linear driver and low boost circuit
- Three bands, with sweep-able mid
- Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
- Quick Layer / Split function
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
- Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
- Three bands, with sweep-able mid
- Quick Layer / Split function
- Ultra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
- External audio can be processed through the ring modulator, filter, driver, amp, and EQ
- Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
- Per-voice non-linear driver and low boost circuit
- Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer
- Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
- Four additional, user-specified drawbars, and expanded percussion
- Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
- Controlled via nine front-panel sliders (via Tone Adjust)
- Upper, Lower (even in EX mode)
- Two AMS mixers
- Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime
- Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
PCM Oscillator KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.
Excitation Filter Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes
- Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation
- Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
Multi Filter Mode (Filter A only) Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
- 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers
- Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files
- 6 VPM/Waveshaper/Ring Modulation Oscillators
Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals
PCM Oscillator KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory
Noise Generator (With saturation and low-pass filter function)
- Run real-time audio through the VPM Oscillators and filters.
- Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)
Multi Filter mode (Filter A only) Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
- Supports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
- 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers
- Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
- Run real-time audio through the synthesis engine and ESP (External Signal Processor)
- 12dB/octave High Pass and Low Pass self-resonant filters
ESP section 24dB/octave Low Cut and High Cut filters, available per voice.
- Patchable audio and modulation, at audio rates
- Keyboard
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
VCO VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
VCF External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
VCO+VCF Total External Modulation In
VCA External Initial Gain Control In, VCA In
EG EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
MG Triangle Out, Rectangle Out
Noise Generator Pink Noise Out, White Noise Out
Sample and Hold Clock Trigger In, Sample Signal In, S/H Out
Modulation VCA Control Voltage In, Signal In, Signal Out
Manual Controller Control Wheel Out, Momentary Switch
ESP Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
Others EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
- Use incoming audio as a trigger and/or CV source
- Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
- VCO
Saw, Pulse, PWM
Sub Oscillator: Off, 1 octave below, 2 octaves below
- 24dB(4-Pole) Octave Low Pass self-resonant filter
- Integrated Polysix Chorus, Phaser, and Ensemble
- Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
- Polysix
Original ADSR EG and MG (with MIDI sync).
NAUTILUS 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
- 16 Maximum
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
- Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
- Quick Layer / Split function
Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
- 2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)
- 1,792 (256 come preloaded)
- 264 (104 come preloaded)
- 256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
- 128 set lists, 128 slots per set list
Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted Transpose setting Hold Time setting of Smooth Sound Transition (SST) supported for each slot
- Open Sampling System (resampling, In-Track sampling)
- RAM
16-bit/48 kHz stereo/mono sampling
DISK 16 or 24-bit/48 kHz
- RAM
Depends on the amount of available PCM RAM
DISK Maximum 80 minutes stereo (879MB: 16bit)
- 16,000 samples/4,000 multisamples (128 indexes per multisample)
- KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
- Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
- 12
Stereo in / stereo out
- 2
Stereo in / stereo out
- 2
Stereo in / stereo out
- One 3-band EQ for each timbre/track
- 197
- Dynamic Modulation and Common LFO
- Stereo side-chaining for compressors, gates, vocoders, etc
- Total 783 preset, Maximum 32 per 1 effect (Preset User)
- One module in Program mode, two modules in Combination and Sequencer modes
- 5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots
- On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
- 1,272 (common with the preset patterns of the MIDI sequencer)
- 1,000
Patterns created in Sequencer mode can be converted to drum track user patterns.
- Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.
- 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
- 200
- 1/480
- 40.00 – 300.00 (1/100 BPM resolution)
- 400,000 MIDI events or 300,000 audio events
- 16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,
- 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit
Maximum Single-file Recording Time (mono): 80 minutes Automation: Volume, Pan, EQ, and Send1/2 10,000 regions (max.) Event Anchors, BPM Adjust
- RPPR (Realtime Pattern Play and Record): 1 Pattern set per song
- Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
- Joystick, Switches 1 & 2
Arpeggiator Control: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo DRUM TRACK: On/Off, Swing, Drum SD, Tempo
- TouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness
- Frequency Response
20Hz-22kHz, +/-1.0dB, 10k Ω load
THD+N 20Hz-22kHz, 0.01%, 10k Ω load (typical)
S/N 95dB (typical)
Dynamic Range 95dB (typical)
Crosstalk 95dB, at 1kHz (typical)
- L/MONO, R, Individual 1-4
1/4” TRS Balanced Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater) MAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L/MONO and R
Headphones 1/4” stereo phone jack Output impedance: 33 Ω, Maximum Level: 60+60 mW (when load impedance is 33 Ω), MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))
USB-B 24-bit, Sample Rate: 48 kHz, 2 channels (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
- Audio Inputs 1 and 2
1/4” TRS Balanced Input Impedance: 10 kΩ Nominal Level: LINE +4 dBu Maximum Level: LINE +16 dBu Nominal Level: MIC –22 dBu Maximum Level: MIC -10 dBu Source Impedance: 600 Ω
USB-B 24-bit, Sample Rate: 48 kHz, 2 channels
- Damper pedal (half damper supported)
Assignable switch, Assignable pedal
- In, Out, Thru
- USB A (TYPE A)
For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)
USB B (TYPE B) MIDI/audio interface, MIDI: 1 (16 channel) input / 1 (16 channel) output, Audio: 2 channel input / 2 channel output *2 USB high-speed ports (supports 480Mbps)
- 60 GB SSD (2.5”)
- AC power supply terminal, Power switch
- 88 key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47”
73 key: 1,227 x 386 x 116 mm / 48.31” x 15.20” x 4.57” 61 key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”
- 88 key: 23.1 kg / 50.93 lbs.
73 key: 14.6 kg / 32.19 lbs. 61 key: 13.0 kg / 28.66 lbs.
- 40 W
- AC cord, Quick Start Guide
- XVP-20: Expression/Volume Pedal
EXP-2: Foot Controller DS-1H: Damper Pedal PS-1: Pedal Switch PS-3: Pedal Switch
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